It’s time to be honest: K-Pop concerts in America are not always perfect. While there are a few high production value events, most are charging AAA prices – that sell out – for mediocre shows. Is it fair that fans around the world receive a lower quality experience, when K-Pop labels are bringing in more profits than ever?
We had a full house of experts from various parts of the K-Pop scene weigh in on this topic. Chris from @cctvpops shared from his experience working for a major American music label. Todd Inoue @nattotodd covers K-Pop concerts for the SF Chronicle. And T currently works for a K-pop concert production company in the Bay Area.
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